Netflix is aggressively ramping up global productions, particularly in Europe and Asia according to a report from Ampere Analysis. Netflix has seen impressive growth in these markets, adding eight and nine million subscribers respectively between 2017 and 2018. Hoping to replicate the success of hits such as Dark from Germany and Sacred Games (pictured) from India, Netflix announced 24 new titles for Europe in Q4 2018 – that’s equivalent to the total for the region in 2017 and represents 22 per cent of the upcoming catalogue.
Netflix and the giant Dahl catalogue
Netflix has said it will increase the number of European titles it produces by another third during 2019, having delivered 141 projects including recommissions in 2018. The streaming service also announced a major rights deal with the Roald Dahl Company, with ambitions to produce a vast ‘Dahl Universe’ of children’s titles.
International productions are a double whammy for Netflix
Netflix’s investment in localised foreign language content not only maintains subscriber growth, it helps fight domestic competition by captivating users with high-quality international productions. The success of series such as Elite, Narcos and Sacred Games with both native and English language audiences illustrate how international productions can deliver a double whammy for the service. Thirty-six per cent of Netflix’s upcoming originals will be non-English, and 46 per cent will originate from outside the US and Canada.
Netflix is currently producing new content in 25 countries, with 133 titles originating outside of North America, including its first African title. It is heavily focused on specific markets, with the top two international producers of the UK and India accounting for 32 per cent of international productions, and the top five accounting for 56 per cent. Additionally, it is rapidly increasing production in key markets across Asia and Europe, particularly those that have created hit shows for the streaming service in the past. The UK has added 10 titles so far in Q4 2018, India eight, Germany six, and five each in Japan and Spain.
Central and South America misses out in Q4
Fred Black, Analyst at Ampere Analysis says: “Locally produced, local language content is key to Netflix’s current and continued success, and these figures underline how important that strategy will remain in 2019. But there are other issues too. Netflix is pushing hard to comply with incoming European Commission quotas that would set a minimum of 30 per cent of streaming content to be European in origin, and European titles make up 29 per cent of Netflix’s announcements this quarter. There is a possibility that we’ll see something similar in Latin America if Mexico introduces similar quotas as it has mooted. That may signal a change in production strategy.”