Advanced Television

Max expands Classic collection on TCM Hub

December 9, 2024

Max has announced an expansion to the Turner Classic Movies (TCM) hub initiative in the US, which will add new classic movies showcased in themed curations throughout 2025. Quintessential TCM titles are now available to stream with hundreds of new titles and monthly stunts rolling out on the streaming platform beginning this December.

“At Max, we pride ourselves on our strong dedication to a robust library of fan favorite and classic films,” commented Royce Battleman, Executive Vice President, Content Acquisitions, Warner Bros Discovery. “Our latest expansion of TCM titles brings in even more timeless stories and invites viewers to relish in iconic cinematic moments on the platform.”

TCM’s films will now be showcased alongside a collection of titles from Warner Bros Pictures, The Criterion Collection, A24, Studio Ghibli and more.

The TCM page on Max will include themed selections of carefully curated classic films in celebration of fan-favourite actors, significant milestones, award-winning masterpieces, and more. These curational moments will be updated in the hub monthly and will offer audiences an additional way to discover and explore timeless classics. In addition to the hub on Max, these classic films will also be available for viewers on the TCM linear channel.

“By bolstering TCM’s footprint on Max, we are giving fans another platform to experience what they’ve come to expect from TCM – an evolving roster of celebrated films featuring Hollywood legends,” said Michael Ouweleen, President of Turner Classic Movies.

The TCM hub expansion kicked off this December by highlighting legendary Mickey Rooney films such as National Velvet (1944) and Words and Music (1948). In addition, Humphrey Bogart’s 125th birthday is bringing hits like Key Largo (1948), Invisible Stripes (1939) and It All Came True (1940) to streaming.

January’s TCM spotlight commemorates Cary Grant’s birthday with My Favorite Wife (1940) and Destination Tokyo (1943) and recognises George Raft titles such as Each Dawn I Die (1939) and Red Light (1949).

 

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