IBC Exhibitors C – D

Stand 8.C61

On show for the first time at IBC (Stand 8.C61) is Calrec’s VP2 virtualized mixing system. VP2 has no physical control surface and utilizes Calrec’s Assist software for setup and control. VP2’s 4U core comes in three DSP sizes; 128-, 180- and 240-input channels, and incorporates Calrec’s powerful Hydra2 networking solution. Calrec Serial Control Protocol (CSCP) allows the audio console to be completely controlled by an automation system.

VP2 enables the station to reap many of the benefits of using a Calrec console, but without a physical control surface. Control and setup are via Calrec’s Assist software, which can be accessed from multiple locations through a web-browser. The technical director/operator can be given basic control functions, whereas an engineer can delve deeper to fine-tune the setup or recall different setups as needed.

Also on show will be Calrec’s powerful ImPulse core audio processing and routing engine, with AES67 and SMPTE 2110 connectivity. The ImPulse core is compatible with current Apollo and Artemis control surfaces, providing a simple upgrade path for existing Calrec customers. In addition, future scalable expansion will allow up to four DSP mix engines and control systems to run independently on a single core at the same time, providing the ability to use multiple large-format mixers simultaneously in an extremely cost-effective and compact footprint.

Calrec will also have its H2-IP Gateway and the AoIP Modular I/O controller card on-hand during the show. Both products are SMPTE 2110/AES67-compatible and expand the range of AoIP solutions Calrec now offers.


Stand 7.D67

Cantemo has announced it will demonstrate its latest update to its Media Asset Management system, Portal, at IBC 2019. The latest update launches a range of new features including an improved search interface and Final Cut Pro X Workflow Extension.

Focused on the needs of the broadcast industry, Portal’s latest version, 4.1, provides users with an improved search facility. The new interface automatically displays search filters, collections, saved searches and search history which allows users to find content quickly and intuitively. Additionally, Portal 4.1 supports free-text searches for administrators to find specific field data within asset metadata.

The Portal 4.1 update introduces a Final Cut Pro X workflow extension which allows editors to access media without leaving projects. It allows users to preview, add metadata and drag media into a timeline, creating a practical and convenient media management workflow. Portal 4.1 allows users to render subclips created by the Annotation tool as new assets from within the interface.

Additional features include an improved user interface, offering personalised notifications and health check reports, as well as granular control over users through the Portal API. User roles can now be categorised into UI and API roles, allowing system administrators to create API-only users.

Parham Azimi, Cantemo’s CEO, commented: “We’re constantly focusing on developing Portal’s practicality through innovative features and improved designs. Our latest update enhances the user experience through strategically designed and placed features which have enriched the media workflow. I’m really looking forward to demonstrating Portal 4.1 at IBC – it will be great to see media editors interact with our latest developments.”


Stand 14.H21

Cleeng, the leader in Subscriber Retention Management (SRM) solutions, is launching a unique analytics suite designed for online broadcasters that run subscription services. The new SRM dashboard gives businesses 360° view analytics for each step of the subscriber journey and leverages it to execute advanced retention actions.

The focus on Subscriber Retention Management (SRM) instead of the classic Customer Relationship Management (CRM) is an approach that gains more interest in the subscription economy lately. It is mostly because the subscription video landscape is open and competitive, thus churn rates are seen as a significant obstacle for growth and are being monitored more closely. Therefore, a healthy flow of recurring revenue from pay subscribers helps OTT services plan investments and expand.

Nowadays, OTT broadcasters struggle with breaking down the data silos, and the new Cleeng SRM™ dashboard provides unified subscriber analytics enabling data-driven decisions to retain subscribers.

In the center of the dashboard lies the subscriber retention journey. With this approach, the journey begins at the moment when a visitor converts to a subscriber and goes through the stages of payment, engagement, and win-back. By carefully tracking all the valuable metrics throughout the journey, broadcasters can do root-cause analysis, make critical improvements to their subscription models, predict results, and refine retention strategies.

Cleeng’s state-of-the-art data lake is built on the AWS Data Platform. It also leverages AWS Deep Learning Models to add powerful predictive capabilities. When the data runs through the SRM™ application, it is being analyzed and appointed the right weighing factor concerning their causal relation towards retention. Therefore, by providing the broadcasters the right insights, they understand better where to focus next.

Gilles Domartini, CEO and founder of Cleeng, adds: “Subscriber Retention Management is at the heart of our strategy. The subscription economy in its bloom as global SVOD subscriptions race towards 1 billion. The analysis of prescriptive data from the full journey gives broadcasters a complete picture of how a subscriber engages with their service. It’s staggering that only by reducing your monthly churn by 2%, you will increase your monthly recurring revenue by 24% in just one year. AI and big data tools prove to be very successful to tackle churn.”



Cobalt Digital Solutions
Stand 10.B44

Cobalt Digital will showcase its card-based 4K and HDR workflow solutions for openGear frames next month at IBC2019. Product highlights will include its new decoders and encoders, RIST Main Profile, bi-directional SDR/HDR conversion solution for live production, and new multiviewers and distribution amplifiers. Plus, the company will debut a new 12G openGear router and RIST gateway solution.

The new 9992-DEC Series of HEVC/AVC/MPEG-2 decoders for openGear frames will be introduced at the show. Like the company’s 9992-ENC series of encoders, the flexible 9992-DEC features pay-as-you-go licensing, so users only pay for required features when needed. Designed to meet the most stringent requirements for today’s broadcasters, the 9992-DEC supports up to 4K resolution and offers a full complement of audio decoding capabilities. The series also includes the 9992-2DEC dual-channel decoder, as well as the 9992-DEC-4K-HEVC with single-channel 4K or dual-channel 2K and support for H.265.

Earlier this year, Cobalt was one of several companies to receive an Emmy® Award for its collaborative work on ARQ, the underlying technology powering RIST. At IBC, Cobalt will debut support for the RIST Main Profile, which adds features such as encryption (DTLS or PSK), tunneling, NAT traversal, point-to-multipoint distribution, low bit rate optimization, and reliable ST-2110 transport.

New advancements in HDR at the show include a complete end-to-end HDR workflow within Cobalt’s 9904-UDX-4K up/down/cross converter. Utilizing Technicolor’s suite of HDR tools, which can be bundled into a single ordering option, the 9904 can generate dynamic metadata when converting from HDR to SDR and back to HDR, preserving the full HDR picture information.

Cobalt continues to develop its popular 9971 Series of multiviewers, adding dual outputs and user controls. Delivering uncomplicated monitoring of asynchronous 4K and HD signals, all three models accommodate a variety of signals and applications. All models also include HDMI outputs for economical viewing on consumer-grade 4K monitors. One-button template presets simplify setup, but users can also create and save customized layouts. Up to five 9971 can be installed in one 2 RU openGear frame – and multiple cards in a cascaded chain can provide multiviewer layouts of up to 64 sources.

The new 9915 Series of DAs support 4K 12G-SDI sources and allow for copper runs long enough to reach most equipment within master control. One of four models in the series, the 9915DA-4×16-XPT-12G, includes four input channels that can be crosspoint-routed to 16 DA outputs in several configurations. Up to 10 cards can be installed in one openGear frame, allowing for up to 40 channels of input and distribution to up to 160 outputs.

“Broadcasters now accept 4K as the production norm, and Cobalt has an extensive menu of openGear-based solutions for studios and mobile production,” Chris Shaw, executive vice president of sales and marketing, Cobalt Digital. “Our products provide flexible and affordable ways to process, monitor, and distribute 4K and HDR content.”

Other products at the Cobalt booth will include a new 12G-SDI openGear routing card with a 12×12 routing matrix. Designed to fit into legacy frames, the card helps customers use 4K islands cost effectively. Demonstrating leadership of RIST technology, Cobalt is also launching SafeLink, an openGear solution that can take in multiple transport streams and provide a RIST wrapper to protect video links between two points.


Stand 14.B07, 14.D60

CSG is a provider of software and services that help companies around the world monetise and digitally enable the customer experience. For more than 35 years, CSG has simplified the complexity of business, providing revenue management and digital monetisation, payments, and customer engagement solutions to help our customers tackle any business challenge and thrive in an ever-changing marketplace. Operating across more than 120 countries worldwide, CSG manages billions of critical customer interactions annually.

CSG is the trusted partner driving digital innovation for hundreds of leading global brands, including Arrow Electronics, AT&T, Charter Communications, Comcast, DISH, Eastlink, Formula One, iflix, MTN, TalkTalk and Telstra. To learn more, visit our website at csgi.com and connect with us on LinkedIn, Twitter and Facebook.


Stand 10.D31

IBC 2019 sees CyanView showcase exciting new additions to its range of camera control systems, as well as demonstrating how the Cy-Stem range is revolutionising what’s possible in terms of allowing content creators to deliver compelling, engaging viewer experiences.

“Of the many requests we receive for camera control, one of the most frequent is to be able to locate a camera in a car, on a motorbike, on board a helicopter or on a drone,” said David Bourgeois, founder and CEO of CyanView. “That delivers huge creative potential for any program maker to grab and retain the attention of even the most blasé viewer, delivering an experience that in some ways is better than being there – or can even complement seeing the action in person as it happens.”


CyanView’s response to those requests is the new Cy-Ri0. Based on the highly successful Cy-Ci0, and delivering the same functionality, it now offers the option of control via 4G. Cy-Ri0 has the ability to control any camera over any communication channel including, for example, IP (cabled or Wi-Fi).

“We demonstrated the Cy-Ri0 at NAB,” Bourgeois added. “A camera was located in Paris – almost 9,000 kilometres away – but we controlled it via 4G, with a latency of less than 200 milliseconds. If the latency had been unacceptable, we could have combined the Cy-Ci0 with the Cy-VP4 to mitigate it.”

“The architecture we developed for the Cy-Ri0 provides a great deal of simplification for remote productions,” continued Bourgeois. “Camera control protocols are all handled by the Cy-Ci0 unit itself: all data communications with the cameras and other accessories are handled locally, without latency or bandwidth constraints.”

The RIO and the VP4, winning solutions when jointly used in remote production, were successfully utilised during the Tour de Suisse. TPC used CyanView’s  technology to control the Sony P1 through the whole race. The VP4, in particular, enabled fine tunings and camera matching with no latency.

Cy-GWY-IO Mini

Also being shown at IBC for the first time is the new Cy-GWY-IO. A much smaller version of CyanView’s Cy-GWY gateway, it includes 16 x GPI for tally and touchdown, and enables an unlimited number of cameras to be connected. The Cy-GWY-IO provides a cost-effective solution for budget productions using the EVA1-Live or small standalone setups, such as a pair of goal cameras.

Range extended

The range of mini cameras that can benefit from its Cy-Stem control system now includes units from Blackmagic, CIS, Dream Chip, IOI, Marshall and Toshiba, as well as PTZ cameras from Lumens, Marshall, Panasonic and Sony.

CCU evolved

Since IBC last year, CyanView’s Cy-VP4 camera control unit has evolved into a universal CCU that can be combined with any camera head to bring live system camera features to smaller camcorders and D-Cinema cameras. Beyond this, the Cy-VP4’s built-in secondary correction capabilities – such as multi-matrix – enable a variety of cameras to be matched, providing the flexibility to mix different types of camera within the same production.


Cy-Stem is a unique solution that brings new levels of capability and flexibility to live production.

The IP-based Cy-Stem range comprises a universal RCP control panel – giving control of an unlimited number of cameras – and a series of small hardware modules that address four key areas in broadcast production: control and matching of mini and specialty cameras on sports events, reality TV, game shows and so on; wireless or remote production with ENG and small camcorders; integration via the RCP of colour correctors with advanced processing for camera matching; and digital cinema cameras for live recording such as concerts or game shows.

“Cy-Stem is a revolution in terms of what’s possible when it comes to controlling a broad range of cameras,” said Bourgeois. “Now, remote control doesn’t have to mean only basic functionality – and nor does it have to be expensive. For vision engineers, it’s a perfect tool for delivering exactly the image they’re looking for.”


Stand 8.B77

Dalet, a leading provider of solutions and services for broadcasters and content professionals, will demonstrate how its newly expanded media product lineup manages the content supply chain from production to distribution for a much wider range of media management needs and a significantly broader market at IBC. The recent Ooyala Flex Media Platform business acquisition combined with new product introductions spanning broadcast graphics, AI-powered content and production workflows, and IP infrastructure add even greater breadth and depth to the Dalet media management capabilities.

The expanded Dalet product offering answers the needs of existing news, sports, programs, radio and archive customers requiring solutions to enable enterprise orchestration, intensive production and multi-platform distribution workflows. For new customers and markets, including corporate brands, telcos, sports teams and leagues, Dalet now offers agile, subscription-based solutions to manage multi-platform packaging and digital media distribution workflows.

“Today, the ability to launch new services quickly at reduced operational costs is essential for content owners and distributors to remain competitive, and both Dalet and Ooyala have been helping them address this challenge in our respective areas of expertise. This was one of the key drivers behind the Ooyala acquisition,” states Kevin Savina, Director of Product Strategy, Dalet. “The Ooyala Flex Media Platform, with its strong OTT content supply chain and multi-platform distribution capabilities, is a perfect complement to Dalet Galaxy five, which is the platform of choice for production-intensive and enterprise media operations. We look forward to demonstrating that at IBC2019 alongside all the other innovations we will be showcasing on our other platforms.”


Stand 8.B41, 11.D30

Densitron, the global leader in innovative Human Machine Interaction (HMI) and display technology, will showcase its new UReady 2U Full-Surface Rack Display for broadcast applications at IBC 2019 on Stands B41, Hall 8 and D30, Hall 11.

Making its official debut at IBC 2019 will be Densitron’s new UReady 2U display. Designed for signal and picture monitoring; as a control system with multi-touch projected capacitive touch (PCT) functionality; or both, the new 16.3” UReady enables multiple video picture and audio level to be displayed side by side.

Densitron Global Product Director Martyn Gates said, “The traditional functionality of many control surface products is limited by what can be accommodated within one or two rack units that combine both display and user input. This limits their usefulness for anything other than very basic HMI. Our new UReady unit now provides touch-enabled, high contrast ratio, high-resolution glass-estate for a smartphone-like wide viewing-angle, which can be easily configured for multiple applications and user requirements.”

The UReady 2U display is the latest addition to Densitron’s extensive UReady range, which is specifically engineered to meet the needs of portable production units, studios, OB vehicles, control rooms and more. Display sizes range from 6.6” to 23″ and offer easy-mount housing, plug-and-play connectivity, Windows and Linux OS support, plus 1440×240 (1U Single) and 1920 x 285 (2U) resolution.

Also featuring for Densitron at IBC will be Aurora SBX, an ARM Cortex-A9-based high performance, low-power, all-in-one embedded processor that accelerates the development and integration of display and HMI-based products. Aurora SBX’s platform provides a large range of ready-to-go, feature-rich GUI applications that integrates with Densitron displays; creating a powerful and comprehensive product development kit.

Recently acquired by Densitron, IDS (Intelligent Display Systems) combines proprietary hardware and software allowing broadcasters to connect, control and automate devices and activities within a studio environment. Information and content from the IDS platform can be displayed at any end point, integrating seamlessly with the wide range of Densitron or third-party displays. IDS will be integrated with, and control, several Densitron displays across both stands.

Live demos of all products will take place on the stands throughout each day of the show.


Stand 11.C15

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, is showcasing its latest 5G-ready solutions, SMPTE 2110 support, return video solutions, CellSat blended connectivity, IronRoute for media content distribution solution, and GateWay connectivity at the upcoming IBC 2019 show.

EnGo mobile transmitter
The latest version of Dejero’s renowned EnGo mobile transmitter, which is now 5G-ready, features more processing power to deliver unique content adaptive encoding technology and HEVC compression to provide even better picture quality in a wider variety of scenarios. Unlike other field transmitters, Dejero EnGo now automatically adapts to content complexity as it is captured and supports up to 20 Mb/s bitrate for live transmissions and 1080p 50/60. Additional enhancements to Dejero’s mobile transmitter line-up will be made at the show.

IBC Innovation Award Shortlist
EnGo mobile transmitters and Dejero receivers were recently deployed to assist Musion 3D in transmitting a life-sized, interactive human hologram at a live rock concert across Vodafone’s 5G network. The EnGo delivered video links from a studio in Bucharest, from which a life-size hologram of a 10-year-old guitarist was beamed live to the stage over a Huawei router and Vodafone 5G link. This world first event/project, hosted by Vodafone, has been shortlisted for an IBC Innovation Award in the Content Creation category.

CuePoint low-latency return video
Dejero’s CuePoint 100 low-latency rack-mounted return feed server simplifies talent cueing, production and confidence monitoring, and real-time teleprompting in the field. With as little as 250 milliseconds of latency, CuePoint keeps teams at the broadcast facility and remote location synchronized, by sending video and audio, alongside teleprompting feeds, to production teams in the field to facilitate the creation of compelling live content. Up to eight return video and teleprompting feeds from the broadcast center can be seen in the field by the talent on a tablet or dedicated monitor above or below the camera, or on multiple mobile devices by camera operators, field directors and technicians.

WayPoint support for SMPTE ST 2110
The Dejero WayPoint 204 receiver makes the IP transition easier for broadcasters embracing the SMPTE ST 2110 suite of standards. As the first Dejero product to support SMPTE ST 2110 standards for professional media industries, WayPoint 204 reconstructs video transported over multiple IP connections from Dejero transmitters, decodes HEVC or AVC, delivers four channels of balanced IFB, and provides four outputs supporting SMPTE ST 2110.

CellSat blended connectivity service
Available in Europe and North America, the multi-award-winning blended cellular and satellite connectivity service now comes with additional features that provide enhanced reliability, multiple antenna options including portable fly-away and vehicle-mount options, and additional connectivity plans to suit the varied needs of customers. CellSat solves challenges such as cellular network congestion or degrading performance in fringe locations by intelligently blending all available cellular connections with Intelsat’s Ku-band IP satellite network, fusing the best attributes of these transmission paths for enhanced reliability and the highest quality live shots.

IronRoute for media cloud-based content distribution
IronRoute offers a robust solution tailored to the needs of broadcasters and media organizations by combining the link diversity, service quality, and centralized management benefits of software-defined blended connectivity, with the flexibility and scalability benefits of a cloud-based workflow for cost-effective global distribution. IronRoute blends broadband, cellular (3G/4G/5G), and satellite connectivity from Intelsat’s global network. The cloud-based solution also simplifies the simultaneous distribution of live and file-based content to multiple locations anywhere in the world, whether it be network affiliates, station groups, or to other broadcasters and media organizations in point-to-point, point-to-multipoint, and multipoint-to-multipoint scenarios with a simple drag and drop interface in a web browser.

GateWay for first- and last-mile connectivity
Access to reliable connectivity has become even more critical for contribution and distribution. New features added to the Dejero GateWay solution include reliable connectivity on any type of IP connection and faster file transfer methods. Dejero will also show how the GateWay solution can be used for backup connectivity as part of a disaster recovery plan, and other use cases that solve first- and last-mile connectivity challenges of broadcasters and media organizations.


Digital Nirvana
Stand 14.D05

MonitorIQ is a leading broadcast-monitoring solution from Digital Nirvana that offers services such as signal and loudness monitoring, air-check logging, competitive analysis, and content repurposing. The solution is Linux-based for secure scalability.

This highly efficient solution automatically records and monitors linear and/or OTT streams and alerts for loss of video, audio, or closed captions. Some of its features include live streaming and recording, SmartSearch, SmartAlerts, and frame-accurate cut clip editing with an option for variable-speed playback. The new UI provides an improved user experience and features a built-in HTML5 player that eliminates the need to install Flash or ActiveX. The solution also boasts seamless integration with Digital Nirvana’s Media Service Portal, with the added benefit of AI-based cloud microservices that include closed caption generation, caption quality assessment, caption realignment, and video intelligence for objects, ads, logos, and facial recognition.

Additional features and capabilities of MonitorIQ include:

• Record content 24/7 or by program guide
• Reliable, scalable client/server architecture for multichannel deployment
• Expandable storage via NAS Connect
• Hybrid approach to storage means content can be stored locally, on the network, or in the cloud
• Ability to analyze the transport stream (TR 101 290), visualize stream errors in real time, and trigger alerts
• Fast, frame-accurate clipping with custom metadata annotations
• Fast search on all system metadata including CC text, as-run log, traffic system, and custom metadata
• Display of SCTE 104 and SCTE 35 markers in the editor window to help with insertion, replacement, or removal of portions of the original content and repurposing of the end result
• HD/SD, ASI, QAM, ATSC, and HDMI inputs in a single server
• Open API allows other systems to easily integrate with the MonitorIQ solution
• Backed by 24/7 worldwide support with an emphasis placed on quality of service coupled with quality of experience

Metadator 2.0

Digital Nirvana’s Metadator 2.0 is a secure, scalable software-as-a-service platform that automates the process of metadata generation for production, pre-production, and live content.

Metadator 2.0 includes an off-the-shelf integration with Avid Interplay for automated speech-to-text generation that simplifies the process of automated transcription and metadata generation with locators for Avid users. The application, integrated with video intelligence, is capable of object identification, on-screen text recognition, shot-change detection, and explicit content detection.

Metadator 2.0 automates the entire process of transcription and metadata generation for Avid-based assets. It provides an opportunity to maintain consistent metadata, thereby facilitating faster time to market by ensuring relevant assets get identified more efficiently. Metadator 2.0 automatically generates locators that help users search and identify content effortlessly within Avid.

Caption Quality Check

To resolve the inherent technical complexities involved with producing closed captions for different distribution channels, Digital Nirvana is launching Caption Quality Check, an application built with content producers in mind. Some of the product’s key features include reporting operational and technical non-conformance, automatic corrections, format conversion, and frame-rate conversion.

Caption Quality Check accepts different file formats (such as SCC, SRT, EBU-STL, WebVTT, SMPTE-TT, and JSON) as inputs via the portal, S3 bucket, and APIs. Users can choose from a combination of automatic and manual services to ensure premium-quality output and receive publish-ready captions in the formats requested for distribution via various platforms, including OTT and VOD.

The design of the Caption Quality Check service improves overall user experience. Its simplified, automated, and customized workflow allows customers to automate their requests and work-order assignments to maximize productivity.

Closed Caption Generation

Digital Nirvana offers postproduction captioning services with near-live and weekly turnaround options for a variety of video formats. The platform can take in video in a variety of formats and provide output caption files in multiple formats as specified by the customer. Secure protocol implementation, with layers of security, helps with the safe transfer of content into the cloud and back again. The speech-to-text (STT) integration helps transcript editors receive output from an automated system for further editing for higher accuracy. Adoption of STT makes the work process more efficient, thereby saving a great deal of labor and ensuring faster turnarounds while also handling increased volumes. The processed files are passed on to the caption editors, who edit the content based on the guidelines prescribed by the customer/regulation. Files are prioritized based on turnarounds and skill-set requirements. Upon request, Digital Nirvana will provide preliminary files in the form of direct output from the STT engine. Customers can opt for caption files in multiple formats for the same video asset, which in turn can be published over multiple platforms including OTT, VOD, and social media.

Closed Caption Synchronization

Digital Nirvana’s Closed Caption Synchronization is a secure, scalable solution-as-a-service platform that automates the process of repurposing closed captions.

With the capability to receive and deliver content in multiple input and output formats, the Closed Caption Synchronization workflow is integrated with speech-to-text technology, helping to accurately identify lost or unsynchronized captions. High-quality, accurate, and time-synchronized captions help enhance the user experience across platforms.


Booth 2.B39

DOTSCREEN will present its latest multiscreen User Interfaces and apps at IBC on its own booth and on those of several set-top box manufacturers and partners.

The company will also demo the latest applications released for some of its customers such as HBO in Europe, Disney in the US, Telefonica in Latam, Mediaset in Spain.

This year, DOTSCREEN will be showcasing its brand, new solution Amazin’TV, a homegrown fullfeatured User Interface available in any environment (Android TV – Operator Tier, HTML5/Linux, HbbTV – OpApp, Tizen, WebOS…) and for all internet-connected devices and technologies.

Amazin’ TV provides an exhaustive list of features expected in a big screen experience today, offered within a fluid and intuitive user-centric design. The new UI, shortlisted for the CSI Awards 2019 in three categories, will be available for demos at Booth 39, Hall 2, as well as on the respective booth of the following DOTSCREEN’s partners: Technicolor, EKT-Digital, SEI Robotics, Changhong, Tatung, Jinzhou, Broadpeak.

Throughout the convention from September 13th to 17th 2019, DOTSCREEN will also be showcasing the latest UI and front-end apps released for major international customers such as Mediaset Spain for smart TV and set-top boxes, Telefonica for Smart TV, ARTE for Orange set-top boxes and Gulli for Android TV in France, HBO Europe for PlayStation, Android TV and set-top boxes, and many more.


Stand 10.C25

DTC Broadcast will feature its entire wireless AEON transmitter range, including the acclaimed AEON Lite transmitter and the PRORXD-AEON receiver, all at a new location during IBC 2019 in Amsterdam from 13–17 September.

DTC Broadcast has relocated to Hall 10 this year to ensure the highest visibility for its AEON transmitter range as well as the latest developments for other new DTC Broadcast products.

According to DTC Vice President, Broadcast Sales, JP Delport, “A few years ago the SNG market was core business for us, but bonded SIM technology has changed the game for newsgathering. However there has been growth in OB and live event production, so overall we have seen an increased requirement for our technology and our move to Hall 10 reflects the shift in our customer base.”

DTC’s AEON Lite is the lightest and smallest HEVC 4K transmitter currently on the market and is highly regarded for exceptional RF and picture performance. Designed to offer future-proof connectivity, the unit supports quad 3G-SDI video inputs which enable the user to transmit up to four simultaneous HD signals over a single RF channel.

AEON Lite will be demonstrated with the PRORXD-AEON, an integrated eight-way diversity 4K receiver/decoder that includes maximum ratio combining across all eight RF inputs.

DTC will also feature its industry-leading IP Mesh technology. Multiple RF nodes serve as both transmitters and receivers and are combined into a wireless ad-hoc IP network – DTC’s fluid, self-forming, self-healing mesh. Unlike other wireless options, Mesh constantly readjusts itself as nodes move, working out which are in range to determine the best route to send data between them. With genuine non-line-of-sight coverage, superb penetration, and wide bandwidth in difficult environments, the system is truly mobile. It supplies a network with extended range – one which will deliver in environments too tough for other radio solutions to cope with.

Finally, yet important to professionals in the video assist market, is the introduction of DTC’s CineVue, which combines DTC’s Nano HD camera-back transmitter with a purpose-built handheld visual receiver. The CineVue system takes an HD-SDI video feed from a film camera; encodes the signal to a low bitrate; modulates that signal on an RF spectrum; and transmits it to the handheld monitor to provide high-quality visibility of what is taking place on a shoot in real-time, including highly valuable metadata such as colour lookup tables, lens data, and time stamps.


Stand 1.B71

At IBC2019, DVB will demonstrate how it is enabling an open standards-based approach to OTT and broadband television through its new DVB-I suite of specifications, highlighting support for low latency, enhanced service discovery, and mABR. “The DVB-I suite of specifications is quickly taking shape and will soon be ready for deployment,” said Peter MacAvock, chair of DVB.

“We look forward to demonstrating the exciting capabilities of DVB-I to broadcasters and service providers at IBC2019 and discussing how we can support smooth implementation and flawless OTT services on every screen.”

At IBC2019, DVB will highlight the following:

New DVB-I Specifications Improve Video Streaming, Ensuring Low Latency for OTT

At IBC2019, DVB will demonstrate how it is enabling an open standards-based approach to OTT and broadband television through its new DVB-I suite of specifications, highlighting support for low latency, enhanced service discovery, and mABR. “The DVB-I suite of specifications is quickly taking shape and will soon be ready for deployment,” said Peter MacAvock, chair of DVB. “We look forward to demonstrating the exciting capabilities of DVB-I to broadcasters and service providers at IBC2019 and discussing how we can support smooth implementation and flawless OTT services on every screen.”

Meet the Experts

IBC2019 visitors will have an opportunity to book a one-to-one consultation with experts on a wide range of DVB-related topics. A panel of specialists drawn from the DVB community will be available on the stand, providing advice and guidance on diverse topics, from physical layer transmission technology to audio and video coding, interactive services, conditional access, and more.

The names of the “Meet the Experts” panel will be revealed leading up to IBC2019, and a reservation system will be open on a first come, first served basis.

“In the context of a tradeshow where the emphasis is largely commercial, we’re aiming to provide an opportunity for non-sales-driven advice from a neutral standpoint,” said Eva Markvoort, head of the DVB Project Office.


Stand 14.D24

DVEO, a leading TV/OTT equipment supplier, is now shipping their new real time Multi Camera Synchronizer with IP inputs and outputs, which relies on time delaying IP transport streams. It debuts in a few weeks at the IBC Show in Stand 14.D24 in Amsterdam, September 13-17.

The Multichannel Video Synchronizer is designed to time synchronize IP camera feeds to under 1 frame delay. This allows for feeding up to 50 Point of View cameras to a remote location where sports events directors can switch between any of the cameras and end up with seamless transitions between views. This capability will result in significant savings as now the directors of Sports Events can be remote and still have clear and beautiful camera transitions.

“We have revolutionized the way people will view sporting events with our ability to synchronize video from live events in an elegant way, that brings remote directors to the scene,” stated Laszlo Zoltan, CEO of DVEO. “We expect this great technology will be adapted by both live sports and eSports event producers.”

DVEO Multichannel Video + Audio Synchronizer: IP 1-50 CH is a Linux based 1 RU 19 inch Rack Mountable , Real Time, Multicamera synchronizer with IP inputs and outputs. Designed to allow directors to seamlessly switch between many cameras. This device is usually deployed back at the master control. The underlying technology is based on our ability to time delay IP transport streams. Delays from 1ms to seconds to hours, on each of the 50 camera feeds.

Multichannel Video Synchronizer is typically deployed back at master control. Here all camera feeds can be synchronized via remote GUI that can be accessed from anywhere with an internet connection. The remote GUI also includes scheduling.

Users can synchronize up to 50 UDP camera streams from remote management from via Browser. This product has also been tested and is compatible with major brands of IP cameras.