According to research firm TDG, six-in-ten connected-TV households now watch a free ad-supported streaming service on television. YouTube remains the dominant free VoD provider, with free ad-supported streaming TV services (FASTs) such as Pluto TV and IMDb seeing growing audiences.
“Clearly the effects of work-from-home and lack of traditional leisure options during the pandemic accelerated consumer use of free ad-supported streaming services,” says Doug Montgomery, TDG Senior Analyst. “Most major video providers have been preparing for this moment for years and thus able to quickly adapt to an accelerated timeline. It is a unique moment in the history of the entertainment business and those who move quickly and boldly will likely reap the benefits for years to come.”
Montgomery notes that, while there is “a kaleidoscope” of new providers, pricing plans, and content sources available to the CTV viewers, yesterday’s video revenue models persist—that is, à la carte, subscription, and free. Technologies may change, but the fundamental revenue models do not.
He also recognises widespread confusion among both industry and popular press as to what ‘AVOD’ actually means. Two distinct streaming-video revenue models, FVoD and FASTs, are folded under the AVoD umbrella, when in fact any streaming revenue model can have an advertising component. Advertising, then, should be understood not as a vertical but rather as a common revenue model that all verticals can leverage for revenue.
Just as with broadcast and cable, advertising-based revenue models span both on-demand and live (e.g., FVoD IMDb and vMPVD Sling TV), as well as transactional, subscription, and free distribution models (e.g., TVoD Vudu, SVoD Netflix, and YouTube). Thus, the ‘AVoD’ acronym should be eliminated from industry vocabulary and ‘ad-supported streaming video’ used in its place. More letters, yes, but also more accurate, says TDG.
TDG research finds that, among those that view free ad-supported streaming video on TV, 24 per cent do so daily and another 32 per cent weekly, which is encouraging given that these services are primarily comprised of older shows and movies—at least the on-demand portion. The remaining 44 per cent view monthly or less.
Other findings of TDG’s new report, The Rise of Free Ad-Supported Streaming: